Laban : Transitions

[vc_row][vc_column width=”1/1″ css=”.vc_custom_1412951348629{padding-top: 110px !important;padding-bottom: 70px !important;}”][vc_text_separator title=”Laban : Transitions” subtitle=”Trinitry Laban Conservatoire of Music and Dance” style=”large” margin=”30″ align=”center”][/vc_column][/vc_row][vc_row][vc_column width=”1/1″ css=”.vc_custom_1412326986159{border-width: 0px !important;padding: 0px !important;}”][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjIxMjk2JTIyJTIwaGVpZ2h0JTNEJTIyNzMwJTIyJTIwc3JjJTNEJTIyJTJGJTJGd3d3LnlvdXR1YmUuY29tJTJGZW1iZWQlMkZnUXdzMlVNVE56dyUzRmZlYXR1cmUlM0RwbGF5ZXJfZW1iZWRkZWQlMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvd2Z1bGxzY3JlZW4lM0UlM0MlMkZpZnJhbWUlM0U=[/vc_raw_html][/vc_column][/vc_row][vc_row][vc_column width=”1/1″ css=”.vc_custom_1413283315094{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 130px !important;padding-right: 50px !important;padding-bottom: 0px !important;padding-left: 50px !important;background-color: #212121 !important;}” font_color=”#ffffff”][vc_column_text]

About Laban : Transitions

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/1″ css=”.vc_custom_1413283331997{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 160px !important;padding-bottom: 130px !important;padding-left: 160px !important;background-color: #212121 !important;}” font_color=”#ffffff”][vc_tour nav_arrows=”true” interval=”0″][vc_tab title=”Tab 2″ tab_id=”1413269768792-2-0″][vc_column_text]A dance piece inspired by the drawings and life of street artist Keith Haring.[/vc_column_text][/vc_tab][vc_tab title=”Tab 2″ tab_id=”1413269768792-2-0″][vc_column_text]

Samsa was a travelling salesman and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. John Doe. Corporation.

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